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Items: 1 to 20 of 89

1.

The oscillatory entrainment of virtual pitch perception.

Aksentijevic A, Northeast A, Canty D, Elliott MA.

Front Psychol. 2013 Apr 25;4:210. doi: 10.3389/fpsyg.2013.00210. eCollection 2013.

2.
3.

Pitch shift of pure and complex tones induced by masking noise.

Stoll G.

J Acoust Soc Am. 1985 Jan;77(1):188-92.

PMID:
3973213
4.

Process timing and its relation to the coding of tonal harmony.

Aksentijevic A, Barber PJ, Elliott MA.

J Exp Psychol Hum Percept Perform. 2011 Oct;37(5):1628-42. doi: 10.1037/a0023112.

PMID:
21500937
5.

Virtual pitch integration for asynchronous harmonics.

Grose JH, Hall JW 3rd, Buss E.

J Acoust Soc Am. 2002 Dec;112(6):2956-61.

PMID:
12509016
6.

Unpredicted Pitch Modulates Beta Oscillatory Power during Rhythmic Entrainment to a Tone Sequence.

Chang A, Bosnyak DJ, Trainor LJ.

Front Psychol. 2016 Mar 9;7:327. doi: 10.3389/fpsyg.2016.00327. eCollection 2016.

7.

Influence of spectral locus and F0 changes on the pitch and timbre of complex tones.

Singh PG, Hirsh IJ.

J Acoust Soc Am. 1992 Nov;92(5):2650-61.

PMID:
1479128
8.

Different modes of pitch perception and learning-induced neuronal plasticity of the human auditory cortex.

Schulte M, Knief A, Seither-Preisler A, Pantev C.

Neural Plast. 2002;9(3):161-75.

9.
10.

The integration of nonsimultaneous frequency components into a single virtual pitch.

Ciocca V, Darwin CJ.

J Acoust Soc Am. 1999 Apr;105(4):2421-30.

PMID:
10212423
11.

Early gamma-band responses reflect anticipatory top-down modulation in the auditory cortex.

Schadow J, Lenz D, Dettler N, Fründ I, Herrmann CS.

Neuroimage. 2009 Aug 15;47(2):651-8. doi: 10.1016/j.neuroimage.2009.04.074. Epub 2009 May 3.

PMID:
19414068
12.

The relation between the human frequency-following response and the low pitch of complex tones.

Chambers RD, Feth LL, Burns EM.

J Acoust Soc Am. 1986 Dec;80(6):1673-80.

PMID:
3794073
13.

Reduced contribution of a nonsimultaneous mistuned harmonic to residue pitch.

Gockel H, Plack CJ, Carlyon RP.

J Acoust Soc Am. 2005 Dec;118(6):3783-93.

PMID:
16419823
14.

Pitch perception: dissociating frequency from fundamental-frequency discrimination.

Oxenham AJ, Micheyl C.

Adv Exp Med Biol. 2013;787:137-45. doi: 10.1007/978-1-4614-1590-9_16.

15.

Spectral pattern, harmonic relations, and the perceptual grouping of low-numbered components.

Roberts B, Brunstrom JM.

J Acoust Soc Am. 2003 Oct;114(4 Pt 1):2118-34.

PMID:
14587610
16.

Preattentive cortical-evoked responses to pure tones, harmonic tones, and speech: influence of music training.

Nikjeh DA, Lister JJ, Frisch SA.

Ear Hear. 2009 Aug;30(4):432-46. doi: 10.1097/AUD.0b013e3181a61bf2.

PMID:
19494778
17.

Does fundamental-frequency discrimination measure virtual pitch discrimination?

Micheyl C, Divis K, Wrobleski DM, Oxenham AJ.

J Acoust Soc Am. 2010 Oct;128(4):1930-42. doi: 10.1121/1.3478786.

18.

Pitch perception: a difference between right- and left-handed listeners.

Laguitton V, Demany L, Semal C, Liégeois-Chauvel C.

Neuropsychologia. 1998 Mar;36(3):201-7.

PMID:
9622185
19.

The pitch of a mistuned harmonic: evidence for a template model.

Lin JY, Hartmann WM.

J Acoust Soc Am. 1998 May;103(5 Pt 1):2608-17.

PMID:
9604355
20.

Age-related difference in melodic pitch perception is probably mediated by temporal processing: empirical and computational evidence.

Russo FA, Ives DT, Goy H, Pichora-Fuller MK, Patterson RD.

Ear Hear. 2012 Mar-Apr;33(2):177-86. doi: 10.1097/AUD.0b013e318233acee.

PMID:
22367092

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