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Items: 1 to 20 of 298

1.

Perceptual thresholds for detecting modifications applied to the acoustical properties of a violin.

Fritz C, Cross I, Moore BC, Woodhouse J.

J Acoust Soc Am. 2007 Dec;122(6):3640-50. doi: 10.1121/1.2799475.

PMID:
18247771
2.

Method for measuring violin sound radiation based on bowed glissandi and its application to sound synthesis.

Perez Carrillo A, Bonada J, Patynen J, Valimaki V.

J Acoust Soc Am. 2011 Aug;130(2):1020-9. doi: 10.1121/1.3605291.

PMID:
21877814
3.

A comparison of wood density between classical Cremonese and modern violins.

Stoel BC, Borman TM.

PLoS One. 2008 Jul 2;3(7):e2554. doi: 10.1371/journal.pone.0002554.

4.

Perceptual evaluation of violins: a quantitative analysis of preference judgments by experienced players.

Saitis C, Giordano BL, Fritz C, Scavone GP.

J Acoust Soc Am. 2012 Dec;132(6):4002-12. doi: 10.1121/1.4765081.

PMID:
23231129
5.

Structural acoustics of good and bad violins.

Bissinger G.

J Acoust Soc Am. 2008 Sep;124(3):1764-73. doi: 10.1121/1.2956478.

PMID:
19045666
6.

Perceptual studies of violin body damping and vibrato.

Fritz C, Woodhouse J, Cheng FP, Cross I, Blackwell AF, Moore BC.

J Acoust Soc Am. 2010 Jan;127(1):513-24. doi: 10.1121/1.3266684.

PMID:
20058996
7.

Exploring violin sound quality: investigating English timbre descriptors and correlating resynthesized acoustical modifications with perceptual properties.

Fritz C, Blackwell AF, Cross I, Woodhouse J, Moore BC.

J Acoust Soc Am. 2012 Jan;131(1):783-94. doi: 10.1121/1.3651790.

PMID:
22280701
8.

Spectral envelope sensitivity of musical instrument sounds.

Gunawan D, Sen D.

J Acoust Soc Am. 2008 Jan;123(1):500-6. doi: 10.1121/1.2817339.

PMID:
18177177
9.

Engaging concert hall acoustics is made up of temporal envelope preserving reflections.

Lokki T, P├Ątynen J, Tervo S, Siltanen S, Savioja L.

J Acoust Soc Am. 2011 Jun;129(6):EL223-8. doi: 10.1121/1.3579145.

PMID:
21682356
10.

The violin bridge as filter.

Bissinger G.

J Acoust Soc Am. 2006 Jul;120(1):482-91.

PMID:
16875244
11.

Influence of vibrotactile feedback on some perceptual features of violins.

Wollman I, Fritz C, Poitevineau J.

J Acoust Soc Am. 2014 Aug;136(2):910-21. doi: 10.1121/1.4889865.

PMID:
25096125
12.

Musical duplex perception: perception of figurally good chords with subliminal distinguishing tones.

Hall MD, Pastore RE.

J Exp Psychol Hum Percept Perform. 1992 Aug;18(3):752-62.

PMID:
1500874
13.

The psychomechanics of simulated sound sources: material properties of impacted thin plates.

McAdams S, Roussarie V, Chaigne A, Giordano BL.

J Acoust Soc Am. 2010 Sep;128(3):1401-13. doi: 10.1121/1.3466867.

PMID:
20815474
14.

Blind single-channel suppression of late reverberation based on perceptual reverberation modeling.

Tsilfidis A, Mourjopoulos J.

J Acoust Soc Am. 2011 Mar;129(3):1439-51. doi: 10.1121/1.3533690.

PMID:
21428508
15.

Effects of contralateral noise on 40-Hz and 80-Hz auditory steady-state responses.

Maki A, Kawase T, Kobayashi T.

Ear Hear. 2009 Oct;30(5):584-9. doi: 10.1097/AUD.0b013e3181acfb57.

PMID:
19550336
16.

Influence of pitch, loudness, and timbre on the perception of instrument dynamics.

Fabiani M, Friberg A.

J Acoust Soc Am. 2011 Oct;130(4):EL193-9. doi: 10.1121/1.3633687.

PMID:
21974491
17.

Using listener-based perceptual features as intermediate representations in music information retrieval.

Friberg A, Schoonderwaldt E, Hedblad A, Fabiani M, Elowsson A.

J Acoust Soc Am. 2014 Oct;136(4):1951-63. doi: 10.1121/1.4892767.

PMID:
25324094
18.

Structural acoustics model of the violin radiativity profile.

Bissinger G.

J Acoust Soc Am. 2008 Dec;124(6):4013-23. doi: 10.1121/1.3006957.

PMID:
19206824
19.

Modal analysis and intensity of acoustic radiation of the kettledrum.

Tronchin L.

J Acoust Soc Am. 2005 Feb;117(2):926-33.

PMID:
15759711
20.

Model-based auralizations of violin sound trends accompanying plate-bridge tuning or holding.

Bissinger G, Mores R.

J Acoust Soc Am. 2015 Apr;137(4):EL293-9. doi: 10.1121/1.4915062.

PMID:
25920880
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