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Annu Rev Psychol. 2018 Jan 4;69:51-75. doi: 10.1146/annurev-psych-122216-011740. Epub 2017 Oct 16.

The Psychology of Music: Rhythm and Movement.

Author information

1
Department of Psychology, McGill University, Montreal, QC H3A 1G1, Canada; email: daniel.levitin@mcgill.ca.
2
Department of Psychology and Brain and Mind Institute, Western University, London, Ontario N6A 5B7, Canada; email: jgrahn@uwo.ca.
3
Departments of Music and Cognitive Science, Carleton College, Northfield, Minnesota 55057; email: jlondon@carleton.edu.

Abstract

The urge to move to music is universal among humans. Unlike visual art, which is manifest across space, music is manifest across time. When listeners get carried away by the music, either through movement (such as dancing) or through reverie (such as trance), it is usually the temporal qualities of the music-its pulse, tempo, and rhythmic patterns-that put them in this state. In this article, we review studies addressing rhythm, meter, movement, synchronization, entrainment, the perception of groove, and other temporal factors that constitute a first step to understanding how and why music literally moves us. The experiments we review span a range of methodological techniques, including neuroimaging, psychophysics, and traditional behavioral experiments, and we also summarize the current studies of animal synchronization, engaging an evolutionary perspective on human rhythmic perception and cognition.

KEYWORDS:

entrainment; movement; music perception; rhythm; tempo; timing

[Indexed for MEDLINE]

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