Addiction to melodrama

Subst Use Misuse. 2011;46(7):859-71. doi: 10.3109/10826084.2011.570616.

Abstract

Addiction films have been shaped by the internal demands of a commercial medium. Specifically, melodrama, as a genre, has defined the limits of the visual representation of addiction. Similarly, the process of intermedialization has tended to induce a metamorphosis that shapes disparate narratives with diverse goals into a generic filmic form and substantially alters the meanings of the texts. Ultimately, visual representations shape public perceptions of addiction in meaningful ways, privileging a moralistic understanding of drug addiction that makes a complex issue visually uncomplicated by reinforcing "common sense" ideas of moral failure and redemption.

MeSH terms

  • Behavior, Addictive / psychology*
  • Culture
  • Humans
  • Morals*
  • Motion Pictures*
  • Substance-Related Disorders / psychology*