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J Voice. 2011 Sep;25(5):532-7. doi: 10.1016/j.jvoice.2010.07.014. Epub 2010 Oct 6.

Some phonatory and resonatory characteristics of the rock, pop, soul, and Swedish dance band styles of singing.

Author information

1
Department of Music and Media, LuleƄ University of Technology, LuleƄ, Sweden.

Abstract

This investigation aims at describing voice function of four nonclassical styles of singing, Rock, Pop, Soul, and Swedish Dance Band. A male singer, professionally experienced in performing in these genres, sang representative tunes, both with their original lyrics and on the syllable /pae/. In addition, he sang tones in a triad pattern ranging from the pitch Bb2 to the pitch C4 on the syllable /pae/ in pressed and neutral phonation. An expert panel was successful in classifying the samples, thus suggesting that the samples were representative of the various styles. Subglottal pressure was estimated from oral pressure during the occlusion for the consonant [p]. Flow glottograms were obtained from inverse filtering. The four lowest formant frequencies differed between the styles. The mean of the subglottal pressure and the mean of the normalized amplitude quotient (NAQ), that is, the ratio between the flow pulse amplitude and the product of period and maximum flow declination rate, were plotted against the mean of fundamental frequency. In these graphs, Rock and Swedish Dance Band assumed opposite extreme positions with respect to subglottal pressure and mean phonation frequency, whereas the mean NAQ values differed less between the styles.

PMID:
20926250
DOI:
10.1016/j.jvoice.2010.07.014
[Indexed for MEDLINE]

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