Format

Send to

Choose Destination
J Exp Psychol Hum Percept Perform. 2008 Apr;34(2):427-45. doi: 10.1037/0096-1523.34.2.427.

The mental representation of music notation: notational audiation.

Author information

1
Department of Arts, Ben Gurion University of the Negev, PO Box 653, Beer-Sheva 84105, Isreal. wbrodsky@bgu.ac.il

Abstract

This study investigated the mental representation of music notation. Notational audiation is the ability to internally "hear" the music one is reading before physically hearing it performed on an instrument. In earlier studies, the authors claimed that this process engages music imagery contingent on subvocal silent singing. This study refines the previously developed embedded melody task and further explores the phonatory nature of notational audiation with throat-audio and larynx-electromyography measurement. Experiment 1 corroborates previous findings and confirms that notational audiation is a process engaging kinesthetic-like covert excitation of the vocal folds linked to phonatory resources. Experiment 2 explores whether covert rehearsal with the mind's voice also involves actual motor processing systems and suggests that the mental representation of music notation cues manual motor imagery. Experiment 3 verifies findings of both Experiments 1 and 2 with a sample of professional drummers. The study points to the profound reliance on phonatory and manual motor processing--a dual-route stratagem--used during music reading. Further implications concern the integration of auditory and motor imagery in the brain and cross-modal encoding of a unisensory input.

PMID:
18377180
DOI:
10.1037/0096-1523.34.2.427
[Indexed for MEDLINE]

Supplemental Content

Full text links

Icon for American Psychological Association
Loading ...
Support Center