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J Exp Psychol Hum Percept Perform. 2003 Oct;29(5):949-64.

Auditory feedback in music performance: Evidence for a dissociation of sequencing and timing.

Author information

1
Ohio State U, Dept of Psychology, OH, US. ppfordresher@utsa.edu

Abstract

Four experiments examined temporal relationships between actions and auditory feedback in music performance. Experiment 1 incorporated phase shifts of feedback, which disrupted produced timing but not overall accuracy. Experiment 2 incorporated period shifts of pitch contents for synchronized feedback that primarily disrupted accuracy more than timing. Experiment 3 incorporated combined phase and period shifts, which caused moderate disruption to timing and accuracy and revealed interactive effects of period and phase shifts on production. A 4th experiment included all feedback conditions in the same session to confirm differences across Experiments 1-3. These results are consistent with the view that actions and their perceptual consequences are coordinated in a way that distinguishes timing (phase shifts) from sequencing (period shifts). ((c) 2003 APA, all rights reserved).

PMID:
14585016
DOI:
10.1037/0096-1523.29.5.949
[Indexed for MEDLINE]

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