Quantification of audiovisual synchrony. (A) We measured spatial trajectories (X-Y location over time) of all point-lights throughout each biological motion animation. Example trajectories are for Inverted left hand and for Upright left hand. (B) Magnitude of change in velocity of Inverted left hand, | V|. (C) Magnitude of change in velocity of Upright left hand. (D) Magnitude of change in shortterm amplitude envelope of audio soundtrack, | A|. (E) Audiovisual synchrony, AVS, of Inverted left hand, obtained as pointwise product of parts B and D. (F) Audiovisual synchrony, AVS, of Upright left hand, obtained as pointwise product of parts C and D. (G) Two still frames from pat-a-cake animation. Color scale values range from low or no synchrony (dark blue) to maximum synchrony (red). Note that some point-lights are very synchronous (the hands, shown here during claps), while others are hardly synchronous (e.g., the feet). (H) Summation of audiovisual synchrony over the duration of an entire animation. Oblique view shows that while there is more audio-visual synchrony on the upright side, the inverted side also contains synchrony: by chance alignment (reverse motion signal aligned with forward audio signal), some change in movement of inverted point-lights can occur synchronously with the change in audio. If preferential viewing in our stimuli were related to level of audiovisual synchrony, then the relative levels of synchrony on the upright versus inverted side will provide predictions of expected viewing behavior.